Today’s sale of the original TV-show Batmobile reminded me of my slight brush with the history of the various versions of the car.
A kid in the 1950s and ’60s could be a fan of both Superman and Batman, and I was, but Batman had a couple of extra things going for him: he had a cave and he had a cool car. The primary Batmobile of the 1940s was a good-looking unit, and no other comic-book character had anything remotely as cool as this:
In 1950, the editors of the Batman comics decided it was time to update the Batmobile, and this one was born:
This 1950 Batmobile had a crime lab built into the back seat and still had the spooky and amazing front bat-face thingie and the neat swooping rear fin. Not a thing wrong with this baby:
But by the mid-1960s, even I had to admit that 1950s Batmobile, still used in the comic books, was dated-looking.
We had just moved down to Marathon, Florida, and I had time on my hands. So, I decided to create a more modern Batmobile. I chose the front end of a Pontiac of the era and the back end of a Chrysler; combining those was easy; then I added a couple of canopy bubbles like fighter planes had. And, to top it all off, I added a couple of hood and side scoops like Corvettes had. I made sure it had a bat face on the front and two bat-fins on the back!
I drew a really clean version of the design and sent it to Mr. Julius Schwartz, an editor at DC Comics who seemed to encourage kids to become involved in the books.
I promptly forgot about the whole thing until a few months later, when a postcard came from Mr. Schwartz; he always wrote on postcards. He was going to use my Batmobile in the comic books! And– WOW– I would get a free one-year subscription to all the comics he edited. He edited a bunch of good ones, too: Batman, Atom, Green Lantern, Hawkman, Flash, Justice League of America!
Here’s what my version of the Batmobile looked like when it appeared in the comic books:
I was so proud! Then the TV show came out, and the Batmobile on the show made mine look like crap.
Here are a couple of photos of the TV-show Batmobile taken before it even had its glossy paint job; it’s still wearing its flat-black primer:
I was devastated at first, but then figured, “Okay; they have pro guys designing TV-show cars and I’m just a kid! No wonder their’s looks so much better!!!”
One problem was that I could no longer tell my pals I had designed the Batmobile, because the first thing they’d say would be, “THE TV-SHOW ONE?!?!?!” And I’d have to reply, “No; the lame one they use in the comic books and comic strip.”
Eventually– and we’re talking over a year; maybe more– I grew sick of seeing my Batmobile in the books and strips and wrote to Mr. Schwartz again: “Why do you keep using my Batmobile design when the TV-show one is ten times better looking?!?!?!” And a few weeks later, a DC Comics postcard came with his response: “Yours is easier to draw.”
Oh, well. They’ve come out with a 1:43-scale Corgi die-cast version of my Batmobile, which is one of the rarest and costliest Batmobile die-cast models because it is lame-looking compared to the TV-show one and not much sought after. A very generous Batmobile historian and enthusiast in England was nice enough to send me one a couple of years ago; I darn sure wasn’t going to spend over $250 for it on eBay!!! Too bad they used a baby-blue paint for the color:
Yes; I’m proud of my lame creation, but, to me, there is only one Batmobile, and it isn’t the one I dreamed up sitting on the side of my bed in Marathon, Florida, and it isn’t the ones in the comic books and strips and it sure isn’t any of the recent Batman movie Batmobiles; it’s this:
Jan 21, 2013 @ 02:46:01
I’m Impressed. Your version is NOT lame; it was cool for its time. More important, it’s part of the Batman legacy, and no one can ever take that away from you.
Jan 21, 2013 @ 03:16:53
Well, thanks, Skip!
Jan 21, 2013 @ 13:51:46
You keep amazing me!! Really cool stuff Jimbo!
Jan 21, 2013 @ 17:58:39
Wow, Jim! I had no idea! But there is no doubt that your design is in there in the tv batmobile too! They borrowed the swept fins, the bubbles, the slanted pipes in the back, among other things. So your legacy lives on! Cool!
Jan 21, 2013 @ 18:49:28
Thanks, Joe! Someone once said to me– I can’t recall who said it– that since George Barris only had a few days to produce the Batmobile that it’s likely that he bought a couple of current comic books, saw my Batmobile in them, and then looked in his back storage lot to see what he had that was the closest match. Since he had been storing the 1956 Lincoln Futura show car for many years, and it had the double canopies and fins, he bought that from Ford (the price he paid was one dollar!) and then designed his superb creation from there. That’s why on the original TV-show promos, the car hadn’t even been painted yet and was still covered in black primer to mask welding and so on. So I may have had an oblique and unintentional influence on the eventual TV-show car and if that’s true, I am amazed and honored!!!
–Jim
Jan 23, 2013 @ 00:06:49
Great post. That was such a cool era to grow up in as a comic book fan, but to have had that level of interaction and collaboration with the book creators is just out of this world amazing. I can’t imagine how the kids of today could have remotely the same connection with comics (notwithstanding the steep cost of books these days or that most are aimed at 40+ year-olds).
Jan 23, 2013 @ 00:40:28
Hey, Brian! Yes; I guess it was a different era. The whole look and feel of the books was different. To me, the comics of today seem dark, grim, depressing, and not story-driven. I suppose the comics of the old days, where the stories were so compressed and the art much more subdued, wouldn’t sell in today’s world. Too bad!
Jan 23, 2013 @ 03:49:38
Brian, your comment reminded me of something Mr. Schwartz used to do in those old days, before comic-book fandom was organized, much less a business, as it is today: If someone wrote him a letter discussing a story or issue that Mr. Schwartz felt was praiseworthy or particularly interesting, he’d give him or her the original art for the cover or splash page of that issue. Since his stable of artists included Carmine Infantino, Gil Kane and Murphy Anderson, those pages were a prize! I never tried for one, since I didn’t feel particularly astute or skilled at writing, but a few boys and girls stood out with their consistently brilliant comments, and I’d look forward to reading their comments in the letters columns. I looked up one fellow on Google recently just to see if he still writes, and he does: Guy H. Lillian III. See http://en.wikipedia.org/wiki/Guy_H._Lillian_III and http://www.challzine.net/current/contents.html.
Jan 23, 2013 @ 03:55:25
Another writer of brilliant letters to Mr. Schwartz in the mid- to late-1960s was Irene Vartanoff and she’s still around, too, I see: http://www.irenevartanoff.com/
That was a wonderful time to be a comic-book reader!!!
–Jim