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Robots I Have Known

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My grand-daughter, Maddie, is fascinated by robots. Considering that she’s just over three years old, that’s a good indication, to me at least, of the prevalence of robots in our culture.

The word “robot” was created by a Czech painter in 1920 for his brother to use in a play to describe the machines who did drudge work. It’s a spinoff of the Slovak word for “serf.” Here’s a photo of three robots from that play, Karel Capek’s R.U.R. (Rossum’s Universal Robots), which debuted in 1920:

So from the beginning, robots had to have some resemblance to humans and be capable of movement. There are many robotic machines in use today but few are what we think of as robots. They’re just machines designed for repetitive tasks.

This cute stamped-metal toy from the 1950s is what a robot looked like to kids of my generation, though not all of them carried little red lanterns:

In the movies, one of the most iconic robots was Robby in The Forbidden Planet from 1956:

Robby was created by the prop makers at MGM and appeared in later TV shows and movies under other names. His best feature was the gears moving inside the transparent dome on his head.

The most famous film robot was probably R2D2 from Star Wars:

His buddy, C-3PO, was more of an android, I guess, but here he is:

Television had had many great robots. The Simpsons creator, Matt Groening, had a robot named Bender on a show called Futurama:

Here’s the 1948 comic book cover that Bender was based upon:

My favorite television robots were the wisecracking Crow T. Robot and Tom Servo from Mystery Science Theater 3000; here they are with their creator, Joel:

In comic books, unrestrained by having to be a physical object, robots were everywhere and of all shapes and sizes. A 1941 Action Comic shows Superman smashing a couple of crude robots:

On the early ’50s television show, The Adventures of Superman, there were a couple of robots. You can see they, too, were crude, reflecting the cheap budget of that truly wonderful show. Superman, as portrayed by George Reeves, was much kinder to this robot than his comic-book counterpart had been a few years earlier:

Side comment: In my opinion, George Reeves’ portrayal of Superman was flat-out the most successful by any actor. We now return to the robots.

In the later 1950s, DC editor Mort Weisinger created a Superman ethos that included a ton of great robots. Superman made an entire platoon of robots to cover for him in emergencies, and, as this Action Comics cover from 1961 shows, he had a few Clark Kent robots, too:

I love the expression on the face of that Clark Kent robot! He is really confounded by his predicament. And how do you like that expository dialog? Weisinger was famous for that and I find it one of the coolest things about the comics he edited; it was so over-the-top. One of his assistants once argued with Weisinger over the editor’s insistence on having a sign over a crook’s secret hideout that said, “Secret Hideout!”

These later Superman comic-book robots looked so much like humans that even close friends of the original subject couldn’t tell they were artificial. These high-end robots often had emotions, and, to my way of thinking, started crossing into what are more properly called androids. An android is a synthetic human being, and folks are busily creating them nowadays!

Here’s one called DER 01, made by the Intelligent Robotics Lab in Japan:

Spooky, huh?!?!?

How many robots and androids do you know?

What Walks Down Stairs, Alone Or In Pairs, And Makes A Slinkity Sound?

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No, the answer is not Steely Dan, but the steely Slinky toy! Invented by an Naval engineer (by accident) at a Philly shipyard in 1943, it has become an icon over the years. Originally sold for a buck, it now goes for $5.95 or so on Amazon.com. The inventor sold 100 million of the things in the first two years after he finally got toy stores to carry them. Here’s a Popular Science article from 1945:

A Slinky consists of 98 coils of high-grade Swedish spring steel and is 2-1/2 inches high. In Viet Nam, the Army used them as emergency antennas for their short-wave radios. They are the official state toy of Pennsylvania, and they are alluded to in a lot of books and movies. My favorite reference, of course, is this one from the second Ghostbusters movie, where Egon describes his strange childhood:

Dr. Ray Stantz: “You mean you never even had a Slinky?
Dr. Egon Spengler: “We had part of a Slinky. But I straightened it.”

NASA has had fun fiddling with Slinkys in space, where they have strange properties unknown to us on this planet. Because a high-frequency sound wave travels faster than a low-frequency one, a Slinky makes a cool swooshy/boingy sound if you hold it vertically and hit the bottom end with a drumstick; the sound is so unusual that avant-garde composer John Cage used it in a 1959 symphony called Sounds of Venice. And I’ve heard a foley artist used a Slinky to make that laser-blaster sound in Star Wars.

Here’s an ad for the Slinky from a 1953 Abbott and Costello comic book; it appears to have been drawn by the artist who did the Dubble-Bubble chewing-gum ads: