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Today’s Mission: Save This Planet!

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Don’t worry; today’s entry has nothing to do with Al Gore. It’s all about something much more compelling, realistic and important: Comic-book covers!

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Mystery in Space, a DC-published comic that ran for 110 issues from 1951 to 1966, was one of my favorites. Edited by the amazing Julius Schwartz, it featured art by some of my favorite artists: Carmine Infantino, Gil Kane, and Murphy Anderson.

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When I tippytoed into the world of professional comic-book production for a couple of summers while in high school, the first thing I learned was that the covers sold the books. It was no accident that the covers of comic books were printed on glossy coated stock using high-resolution screens while the interiors were tossed off on newsprint with coarse screens and muted color reproduction. The art on the covers was almost always much better than what was found in the interiors of the book. So what? It was a stricture of the art form, and covers were what sold the books.

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One of the leitmotivs of DC-comics covers, along with purple gorillas, Jimmy Olsen turning into something weird and Lois Lane in trouble, was perils to Earth. In the Mystery in Space books, editor Schwartz took this to a high level in the early days of the series. For pre- and early-teen American boys, this had resonance: we were just beginning the American space program, and who knew whether this might set off some trip-wire arranged long ago by aliens? It was worth staying up at night to worry about!!! Also, and even more unsettling, these covers indicated that it was the Northern hemisphere that these evil aliens were focusing on. They could care less about Europe, Asia, Africa; their eyes were on the U.S.A!!!

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Were aliens watching our every move? Probably! Were they thinking “Hmm; the primitive Earthlings have now reached the stage where they have both atomic weapons and the ability to rocket into space. We’d better smush them like bugs before they prove troublesome to us!!!”? What a burner for our species, huh?

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So we kids would look for, buy, read and re-read these comics. So what if this clarion cry came from a funny book? The guys who wrote and drew them were obviously smart; look at all the scientific facts crammed into these stories!

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Here are, for your enjoyment and amusement and so you can prepare for our destruction, some of the great Mystery in Space covers showing Earth in peril.

BE WARNED! THE ALIENS ARE OUT THERE AND THEY’RE WATCHING US!!!

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Great Spirit Comic Books!

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I first encountered Will (or Bill, as the old comics guys called him) Eisner’s Spirit comics when I got a copy of Jules Feiffer’s The Great Comic Book Heroes. This stunning book, which I got for Christmas in 1966, was a chance for a 1960s kid to see for the first time what comic books had been like in the 1940s. Living in the Florida Keys, where we had moved earlier in the year, I had few chances to find old comic books for sale.

Oddly enough, while snorkeling one day, I discovered a stash of old comics that someone had evidently thrown overboard long ago in and around the marina outside our home in Marathon Shores. These comics were coverless and half-buried in the sand and silt about 15 feet deep on the salt-water side of the island where we then lived, but I’d dive for them and leave them to dry on the dock outside our house. Once dried, they were perfectly readable, if rather crinkly, and I was able over the summer to get 20 or 30 old DC comics in this fashion.

So I was primed to learn more, and Feiffer’s superb book was right up my alley. I then sent a letter to the Miami Herald asking where old comic books could be found, and they printed my letter and listed some shops in Miami that sold them. Armed with that info, I bugged my dad until he finally agreed to fly me the 107 miles to Miami!

One odd thing my dad did was keep $50 cars at a few airports he flew in and out of a lot. He’d never pay more than $50 for the cars, so they weren’t too spiffy, but they saved him the trouble of renting cars. We drove in whatever clunker Dad had stowed in Miami to several of the stores that the Herald had listed, and I was finally able to get a copy of a 1940s Spirit comic book. The Spirit feature had originally been part of a 16-page Sunday newspaper comic supplement from about 1940 to 1952, and Quality Comics had printed a magazine in the mid- to late-1940s showcasing the character. Eisner, being nobody’s fool, was smart enough to keep the copyrights and that was unheard of in comics at that time.

Will Eisner was a solid pro not only at writing and drawing comics, but in print production. He, by the time we’re discussing here, had moved on from newsstand comics to producing preventive maintenance monthlies for the U.S. Army. One of my uncles had given me some of those, as they had a ton of great Eisner artwork in them, and they were unsurpassed in explaining technical issues in a simple and understandable way. I still have a stack of these P.M. magazines somewhere in the basement, much to Patty’s dismay.

Eisner’s Spirit stories, and there are about 250 of them, I guess, were way above the norm for a comic book. They weren’t aimed at nine-year-olds, for one thing, and Eisner had a tight group of amazingly talented assistants who helped write and draw the stuff. Jules Feiffer had been one of these ghosts for Eisner.

Nowadays, Eisner’s Spirits are easily found in both comic-book form and in hardback, and much of the work is also available in digital form, if you know where to look. In the late 1960s, it was very different and Spirit comic books were few and hard to find.

There had been a couple of 64-page color reprints by Harvey Comics in 1966 and ’67 and those were comic books to be treasured; beautifully printed and colored. My next Spirit encounter was in what were called Spirit Bags in the early 1970s. These were 6″ x 9″ black-and-white reprints of the 8-page Spirit stories and had a typed commentary by Eisner on the last page. Still have all those, too.

Over the years I snagged a ton of other Spirit reprints, both in hard copies and in digital form. I recently learned that Fiction House, a second-tier comic-book publisher, had issued five Spirit comics in the early 1950s. I had never heard of them before, but Fiction House really did a nice job on these reprints of the newspaper Spirits. The coloring is amazing, especially when you consider that they only had 64 colors and tints to work with in those old days.

I now have these in digital form and they are a treat. If you have an interest in Eisner’s work, I encourage you to download them; here’s a site:
http://digitalcomicmuseum.com/index.php?cid=932

These are in the public domain. You’ll need a PC, Mac or iOS reader for the files; they’re easy to find. I particularly enjoy the Comic Zeal iPad app; it makes organizing the hundreds of comics on my iPad a snap.

Thank me later!!! Enjoy!!!

Side Note:

A couple of years later, when we started a student newspaper at Naples High, I made damned sure that the newspaper was called The Spirit, and I worked for days on a masthead for it; my crude homage to Will Eisner. Of course, Eisner, who was so gifted that he came up with a different and stunning masthead for each and every Spirit story, was in a much different league than I was and I cringe to look at my crude Spirit newspaper masthead now!

So it goes!

It’s About TIme!

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Back in the early 1960s, there was a lot of interest in time capsules. Usually these were a big deal and there were World’s Fair time capsules, scientific-society time capsules, and, of course, home-made ones. I buried one, made of a big metal coffee can, in our backyard in 1961. That was the year JFK was inaugurated, and I thought it was the beginning of a brave new world.

Being nine years old at the time, I chose what was important to me for my gift to the people of the future. I remember stuffing a Superman comic book into the can, some toys, and a couple of silver dollars I had saved. It was fun imaging how impressed people of the year 2061 would be when they found it!

Of course, my brother and his troops could have dug it up a week after I buried it for all I knew. But it was something to have fun doing.

Fast-forward to today. Remember the post a couple of weeks ago where I identified the home we lived in 50 years ago? Well, I just sent them a letter telling them about the time capsule. Photos taken in 1961 show them where the thing was buried, and I told them if they found anything at all, they were welcome to it.

Whether or not they’ll find anything, or do more than simply toss the letter in the trash, I can’t say. If nothing else, they may get a kick out of seeing what their home looked like over 50 years ago. But if anything interesting turns up, I’ll share it here!!!

UPDATE:

As of the end of November, three and a half months after I sent the letter to the folks at our old address, the people there haven’t responded.

Great Scott!

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As a kid, I loved comic books and the one I loved the most was DC’s World’s Finest Comics. It had originally started as New York World’s Fair Comics, in 1939. Then it became World’s Best Comics and finally World’s Finest Comics. Its early issues were 96-pagers, but soon settled in at 76 pages for fifteen cents for many years. Superman and Batman each had their own stories, along with a bunch of lesser characters.

The covers showed Superman and Batman together in a poster setting that had nothing to do with the contents of the books. All this was way before my time. The page count began slimming down by the late 1940s, as seen here, but the price stayed at fifteen cents. I have to wonder how many of these comics were sold at a dime, since that was the going rate for a comic book.

In 1954, when things got tough for comics publishers, DC changed the format to 36 pages (including the covers), cut a lot of the secondary features and reduced the price to ten cents, like most all other comics. They also combined Superman and Batman into one story, which seems an obvious move after all those previous covers showing them both together. Those are the comics I loved; they gave great value for your dime. The art was crisp and well-drawn; the stories were interesting with intriguing plots. And the idea of superheroes being friends was wonderful to a kid.

The Justice League of America, which came out a few years later, had most all the DC heroes, including Superman and Batman, but the art was lame and the stories confusing with seven or eight heroes bouncing around. World’s Finest was more to my liking. Now, too, the covers related to the stories found in the issue.

For about 50 issues, World’s Finest Comics were a real hoot, and there were two things about the covers I really liked. Usually, someone (Superman, Batman or Robin) would exclaim, “Great Scott!” at whatever was going on.

And Robin, being rather a fifth wheel, would often be stuck in the bottom corner of the cover.

My favorite covers had both the Great Scott! AND Robin in the corner.

I don’t believe I’ve ever heard a real person say, “Great Scott!” but comic books were aimed at 12-year-olds, and the publishers had to be careful. The very early Superman used a lot of “What the–“ exclamations, and the reader could fill in the blank but that only lasted a couple of years. Thus, “Great Scott!” And see that “Still 10¢” in bold type on the pink cover? That was a hint that something was in the works at DC, and it wasn’t good.

After a while, someone at DC must have issued an order about these recurring items, and Great Scott! was replaced with a couple of Great Kryptons! or Great Guns! and once even with a Great Gosh! Robin, instead of being stuck in the corner, was just left off the cover entirely as often as not.

By then the comics had gone up in price to twelve cents each (that previously noted “Still 10¢” really meant “Not Yet 12¢”) and the art wasn’t as lively or well-drawn as it had once been. It was the end of an era.